
2024 Favorites
Hello, I hope you are having a nice holiday season. This is a new year I wasn’t expecting to celebrate on SSMT. I fully intended to stop the site on the 10th anniversary this past June.
But, quite obviously, I couldn’t stay away.
I pulled back on the frequency so that we’re only posting once a week – every Monday – with some special exceptions. Not nearly as many short stories as I was reading before, but still a nice selection and a nice way to keep the website community here going without monopolizing too much of my decreasingly available time.
I’m excited to head into another new year of stories. There is neverending supply of great work from long ago to continue digging through, but I’m also very energized and inspired by where the form is going. There are a ton of new writers out there doing great things, pushing boundaries of what short stories can be. I’m not sure I would have said that three or four years ago.
OK, on to a wonderful 2025, and, as is tradition at SSMT, here is a list of all the stories featured on the site during the past year – in order only by how much I liked them.
- ‘Death By Landscape’ by Margaret Atwood
- ‘The Moon In Its Flight’ by Gilbert Sorrentino
- ‘Torch Song’ by John Cheever
- ‘You Never Get It Back’ by Cara Blue Adams
- ‘Peach Cobbler’ by Deesha Philyaw
- ‘Night Of The Living Rez’ by Morgan Talty
- ‘The Sea Latch’ by Cara Blue Adams
- ‘In The Cart’ by Anton Chekhov
- ‘Sex Appeal’ by Lucia Berlin
- ‘The Pleasures Of Television’ by Rebecca Bernard
- ‘Pitch Memory’ by Ethan Canin
- ‘Quenby And Ola, Swede and Carl’ by Robert Coover
- ‘Class Picture’ by Tobias Wolff
- ‘Barn Burning’ by Haruki Murakami
- ‘Three Women Of Chuck’s Donuts’ by Anthony Veasna So
- ‘Hole’ by Andrew Porter
- ‘Martha, Martha’ by Zadie Smith
- ‘Boys And Girls Like You And Me’ by Aryn Kyle
- ‘Brigid’ by Mary Lavin
- ‘The Run Of Yourself’ by Richard Ford
- ‘Sarah Cole: A Type Of Love Story’ by Russell Banks
- ‘Departure’ by Andrew Porter
- ‘Face Time’ by Lorrie Moore
- ‘Roseheath’ by John Cheever
- ‘City Of Churches’ by Donald Barthelme
- ‘Sierra Leone’ by John McGahern
- ‘Flight’ by John Updike
- ‘The Reverse Bug’ by Lore Segal
- ‘The Worm In Philly’ by Sam Lipsyte
- ‘An Unlucky Man’ by Samanta Schweblin
- ‘Leaf Season’ by John Updike
- ‘Axolotl’ by Julio Cortázar
- ‘The Basement Room’ by Graham Greene
- ‘A Stick Of Green Candy’ by Jane Bowles
- ‘This Is Salvaged’ by Vauhini Vara
- ‘Making Friends’ by Joy Williams
- ‘Hollywood Lanes’ by Megan Abbott
- ‘Former Marine’ by Russell Banks
- ‘The New Englander’ by Sherwood Anderson
- ‘A Penny Short’ by Pete Hsu
- ‘The Choc-Ice Woman’ by Mary Costello
- ‘Coyotes’ by Andrew Porter
- ‘Admirals’ by Michael Chabon
- ‘Teenage Punk’ by Lucia Berlin
- ‘Chance’ by Alice Munro
- ‘Parker’s Back’ by Flannery O’Connor
- ‘Death’ by Sherwood Anderson
- ‘Sophistication’ by Sherwood Anderson
- ‘Harrison Bergeron’ by Kurt Vonnegut Jr.
- ‘The Long Black Line’ by John L’Heureux
- ‘The Slip-Up’ by John McGahern
- ‘Paradise’ by Edna O’Brien
- ‘The Swan’ by Roald Dahl
- ‘Today Will Be A Quiet Day’ by Amy Hempel
- ‘Fjord Of Killary’ by Kevin Barry
- ‘Eula’ by Deesha Philyaw
- ‘Guests’ by Mary Terrier
- ‘Twenty Minutes’ by James Salter
- ‘Headlights’ by Samanta Schweblin
- ‘The Haunted And The Haunters’ by Edward Bulwer-Lytton
- ‘Rough Deeds’ by Annie Proulx
- ‘My Heart Is Either Broken’ by Megan Abbott
- ‘My House’ by George Saunders
- ‘Christmas At The Cross’ by Maeve Murphy
- ‘The Finkelstein 5’ by Nana Kwame Adjei-Brenyah
- ‘Witness’ by Jamel Brinkley
- ‘In A Tub’ by Amy Hempel
- ‘Rose’ by Guy de Maupassant
- ‘Vandals’ by Alice Munro
- ‘The Continuity Of Parks’ by Julio Cortázar
- ‘The Night’s For Cryin’’ by Chester Himes
- ‘Which Is More Than I Can Say About Some People’ by Lorrie Moore
- ‘The Disappeared’ by Andrew Porter
- ‘The Maths Tutor’ by Tessa Hadley
- ‘B.F. And Me’ by Lucia Berlin
- ‘The Eclipse’ by Elizabeth Spencer
- ‘A Wet Day’ by Mary Lavin
- ‘Love Is Not A Pie’ by Amy Bloom
- ‘The House Behind’ by Lydia Davis
- ‘What It Takes To Keep A Young Girl Alive’ by Jayne Anne Phillips
- ‘Hearts Of Oak And Bellies Of Brass’ by John McGahern
- ‘Take Half, Leave Half’ by Thomas McGuane
- ‘One-Percent Humidity’ by Michelle Lyn King
- ‘A Real Doll’ by A.M. Homes
- ‘Seeing Ershadi’ by Nicole Krauss
- ‘Those As Are Brothers’ by Nancy Hale
- ‘The Man Who Saw The Flood’ by Richard Wright
- ‘Animal Behavior’ by Laurie Colwin
- ‘Envoy’ by Caleb Crain
- ‘You’re The Sweetest’ by LaShonda Katrice Barnett
- ‘Late Love’ by Joyce Carol Oates
- ‘Rules Of The Game’ by Amy Tan
- ‘A Cruelty’ by Kevin Barry
- ‘Donkey Gets Greedy, Donkey Gets Punched’ by Steve Almond
- ‘A Country Christmas’ by Louisa May Alcott
- ‘The Ascent’ by Ron Rash
- ‘The Dune’ by Stephen King
- ‘First Dark’ by Elizabeth Spencer
- ‘Control Negro’ by Jocelyn Nicole Johnson
- ‘A Visit To Grandmother’ by William Melvin Kelley
- ‘Rumm Road’ by Alice Elliott Dark
- ‘The Glass House’ by Chris Adrian
- ‘By The Waters Of Babylon’ by Stephen Vincent Benét
- ‘A Thing At Work’ by George Saunders
- ‘The Colonel’s Daughter’ by Robert Coover
- ‘My Jockey’ by Lucia Berlin
- ‘Bangkok’ by James Salter
- ‘The Music School’ by John Updike
- ‘It’s Like A Whisper’ by Megan Abbott
- ‘The Adventure Of The Musgrave Ritual’ by Arthur Conan Doyle
- ‘Oxford Girl’ by Megan Abbott
- ‘The Wind In The Rose-Bush’ by Mary E. Wilkins Freeman
- ‘Ten-Year Affair’ by Erin Somers
- ‘Footfalls’ by Wilbur Daniel Steele
- ‘Monster’ by Michael Czyzniejewski
- ‘An Actor Prepares’ by Donald Antrim
- ‘I, Buffalo’ by Vauhini Vara
- ‘The Blessed Man Of Boston, My Grandmother’s Thimble, And Fanning Island’ by John Updike
- ‘Queer’ by Sherwood Anderson
- ‘The Untold Lie’ by Sherwood Anderson
- ‘Drink’ by Sherwood Anderson
- ‘U.F.O. In Kushiro’ by Haruki Murakami
- ‘What Feels Like The World’ by Richard Bausch
- ‘The Triumph Of Night’ by Edith Wharton
- ‘The Orphaned Swimming Pool’ by John Updike
- ‘Julia’ by Ada Zhang
- ‘Comfort’ by Jamel Brinkley
- ‘Keats At Twenty-Four’ by Caleb Crain
- ‘Our Eyes Couldn’t Stop Opening’ by Megan Abbott
- ‘The Wrong Man’ by Nella Larsen
- ‘We’ by Mary Grimm
- ‘Freedom’ by Nella Larsen
- ‘Ruthy And Edie’ by Grace Paley
- ‘In A Different Light’ by Elizabeth Taylor
- ‘Departure’ by Sherwood Anderson
- ‘An Awakening’ by Sherwood Anderson
- ‘One Night In New Jersey’ by Chester Himes
- ‘Stuff’ by Joy Williams
- ‘The Mom Of Bold Action’ by George Saunders
- ‘The Man Who Loved Islands’ by D.H. Lawrence
- ‘Draft Day’ by Rattawut Lapcharoensap
- ‘Ocracoke Island’ by Alice Adams
- ‘A Story Without A Title’ by Anton Chekhov
- ‘Beach Town’ by Amy Hempel
- ‘The Help’ by Mary Robison
- ‘Korean Jesus’ by Pete Hsu
- ‘Wish You Were Here’ by Claire Vaye Watkins
- ‘A Sheltered Woman’ by Yiyun Li
- ‘Plumbing’ by John Updike
- ‘The Greatest Gift’ by Philip Van Doren Stern
- ‘So Late In The Day’ by Claire Keegan
- ‘The Prussian Officer’ by D.H. Lawrence
- ‘A Dark And Winding Road’ by Ottessa Moshfegh
- ‘Bad Behavior’ by Alexia Arthurs
- ‘What Feminism Is’ by Louise Nealon
- ‘Under The Boardwalk’ by Jayne Anne Phillips
- ‘The Kid Nobody Could Handle’ by Kurt Vonnegut Jr.
- ‘Xífù’ by K-Ming Chang
- ‘Miss Mary Pask’ by Edith Wharton
- ‘The Age Of Love’ by Mary South
- ‘Rebecca’ by Donald Barthelme
- ‘Learn A Trade’ by John Updike
- ‘Celia Is Back’ by Amy Hempel
- ‘You Are Not Alone’ by Vauhini Vara
- ‘Foster’ by Bryan Washington
- ‘Annunciation’ by Clare Sestanovich
- ‘Alvin The Typesetter’ by Lydia Davis
- ‘Bayonne’ by John Cheever
- ‘William Wei’ by Amie Barrodale
- ‘Thataway’ by Thomas McGuane
- ‘Tickets, Please!’ by D.H. Lawrence
- ‘The Rescue’ by John Updike
- ‘Chow!’ by Patricia Collinge
- ‘The Leap’ by Louise Erdrich
- ‘The Return’ by Elizabeth Bowen
- ‘The Alligators’ by John Updike
- ‘When Stars Collide’ by Ottessa Moshfegh
- ‘How I Became A Vet’ by Rivka Galchen
- ‘You Tell Me’ by Clare Sestanovich
- ‘Texas’ by David Gates
- ‘Unknown Unknowns’ by Vauhini Vara
- ‘Embroidery’ by Ray Bradbury
- ‘It’s Not You’ by Elizabeth McCracken
- ‘Three Popes Walk Into A Bar’ by Amy Hempel
- ‘My Mother’s Memoirs, My Father’s Lie, And Other True Stories’ by Russell Banks
- ‘Pool Night’ by Amy Hempel
- ‘Oliver’ by Kevin Maloney
- ‘Chance The Cat’ by David Means
- ‘The Island’ by Tove Jansson
- ‘Island’ by Gretel Ehrlich
- ‘The Wisdom Of Eve’ by Mary Orr
- ‘Life Without Children’ by Roddy Doyle
- ‘Referent’ by Ray Bradbury
- ‘The Body’s Defenses Against Itself’ by Nafissa Thompson-Spires
- ‘An Uncomfortable Bed’ by Guy de Maupassant
- ‘The Fog Horn’ by Ray Bradbury
- ‘Jeeves And The Hard-Boiled Egg’ by P.G. Wodehouse
- ‘The Wrong Shape’ by G.K. Chesterton
- ‘Today We Hit’ by Megan Abbott
- ‘The Ends’ by Peter Ho Davies
- ‘The Treasure In The Forest’ by H.G. Wells
- ‘Five Weddings’ by Kevin Maloney
- ‘The Breaking Up Of The Winships’ by James Thurber
- ‘What Stumped The Blue-Jays’ by Mark Twain
- ‘Taylor Swift’ by Hugh Behm-Steinberg
- ‘Thunderbirds: Who, Why, and How’ by Rebecca Scherm
- ‘University Days’ by James Thurber
- ‘An Enigmatic Nature’ by Anton Chekhov
- ‘The New Lodger’ by Amy Hempel
- ‘Detour’ by Évelyne Trouillot
As always, join the conversation in the comments section below, on SSMT Facebook or on Twitter @ShortStoryMT.
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