
2024 Favorites
Hello, I hope you are having a nice holiday season. This is a new year I wasn’t expecting to celebrate on SSMT. I fully intended to stop the site on the 10th anniversary this past June.
But, quite obviously, I couldn’t stay away.
I pulled back on the frequency so that we’re only posting once a week – every Monday – with some special exceptions. Not nearly as many short stories as I was reading before, but still a nice selection and a nice way to keep the website community here going without monopolizing too much of my decreasingly available time.
I’m excited to head into another new year of stories. There is a neverending supply of great work from long ago to continue digging through, but I’m also very energized and inspired by where the form is going. There are a ton of new writers out there doing great things, pushing boundaries of what short stories can be. I’m not sure I would have said that three or four years ago.
OK, on to a wonderful 2025, and, as is tradition at SSMT, here is a list of all the stories featured on the site during the past year – in order only by how much I liked them.
- ‘Death By Landscape’ by Margaret Atwood
- ‘The Moon In Its Flight’ by Gilbert Sorrentino
- ‘Torch Song’ by John Cheever
- ‘You Never Get It Back’ by Cara Blue Adams
- ‘Peach Cobbler’ by Deesha Philyaw
- ‘Night Of The Living Rez’ by Morgan Talty
- ‘The Sea Latch’ by Cara Blue Adams
- ‘In The Cart’ by Anton Chekhov
- ‘Sex Appeal’ by Lucia Berlin
- ‘The Pleasures Of Television’ by Rebecca Bernard
- ‘Pitch Memory’ by Ethan Canin
- ‘Quenby And Ola, Swede and Carl’ by Robert Coover
- ‘Class Picture’ by Tobias Wolff
- ‘Barn Burning’ by Haruki Murakami
- ‘Three Women Of Chuck’s Donuts’ by Anthony Veasna So
- ‘Hole’ by Andrew Porter
- ‘Martha, Martha’ by Zadie Smith
- ‘Boys And Girls Like You And Me’ by Aryn Kyle
- ‘Brigid’ by Mary Lavin
- ‘The Run Of Yourself’ by Richard Ford
- ‘Sarah Cole: A Type Of Love Story’ by Russell Banks
- ‘Departure’ by Andrew Porter
- ‘Face Time’ by Lorrie Moore
- ‘Roseheath’ by John Cheever
- ‘City Of Churches’ by Donald Barthelme
- ‘Sierra Leone’ by John McGahern
- ‘Flight’ by John Updike
- ‘The Reverse Bug’ by Lore Segal
- ‘The Worm In Philly’ by Sam Lipsyte
- ‘An Unlucky Man’ by Samanta Schweblin
- ‘Leaf Season’ by John Updike
- ‘Axolotl’ by Julio Cortázar
- ‘The Basement Room’ by Graham Greene
- ‘A Stick Of Green Candy’ by Jane Bowles
- ‘This Is Salvaged’ by Vauhini Vara
- ‘Making Friends’ by Joy Williams
- ‘Hollywood Lanes’ by Megan Abbott
- ‘Former Marine’ by Russell Banks
- ‘The New Englander’ by Sherwood Anderson
- ‘A Penny Short’ by Pete Hsu
- ‘The Choc-Ice Woman’ by Mary Costello
- ‘Coyotes’ by Andrew Porter
- ‘Admirals’ by Michael Chabon
- ‘Teenage Punk’ by Lucia Berlin
- ‘Chance’ by Alice Munro
- ‘Parker’s Back’ by Flannery O’Connor
- ‘Death’ by Sherwood Anderson
- ‘Sophistication’ by Sherwood Anderson
- ‘Harrison Bergeron’ by Kurt Vonnegut Jr.
- ‘The Long Black Line’ by John L’Heureux
- ‘The Slip-Up’ by John McGahern
- ‘Paradise’ by Edna O’Brien
- ‘The Swan’ by Roald Dahl
- ‘Today Will Be A Quiet Day’ by Amy Hempel
- ‘Fjord Of Killary’ by Kevin Barry
- ‘Eula’ by Deesha Philyaw
- ‘Guests’ by Mary Terrier
- ‘Twenty Minutes’ by James Salter
- ‘Headlights’ by Samanta Schweblin
- ‘The Haunted And The Haunters’ by Edward Bulwer-Lytton
- ‘Rough Deeds’ by Annie Proulx
- ‘My Heart Is Either Broken’ by Megan Abbott
- ‘My House’ by George Saunders
- ‘Christmas At The Cross’ by Maeve Murphy
- ‘The Finkelstein 5’ by Nana Kwame Adjei-Brenyah
- ‘Witness’ by Jamel Brinkley
- ‘In A Tub’ by Amy Hempel
- ‘Rose’ by Guy de Maupassant
- ‘Vandals’ by Alice Munro
- ‘The Continuity Of Parks’ by Julio Cortázar
- ‘The Night’s For Cryin’’ by Chester Himes
- ‘Which Is More Than I Can Say About Some People’ by Lorrie Moore
- ‘The Disappeared’ by Andrew Porter
- ‘The Maths Tutor’ by Tessa Hadley
- ‘B.F. And Me’ by Lucia Berlin
- ‘The Eclipse’ by Elizabeth Spencer
- ‘A Wet Day’ by Mary Lavin
- ‘Love Is Not A Pie’ by Amy Bloom
- ‘The House Behind’ by Lydia Davis
- ‘What It Takes To Keep A Young Girl Alive’ by Jayne Anne Phillips
- ‘Hearts Of Oak And Bellies Of Brass’ by John McGahern
- ‘Take Half, Leave Half’ by Thomas McGuane
- ‘One-Percent Humidity’ by Michelle Lyn King
- ‘A Real Doll’ by A.M. Homes
- ‘Seeing Ershadi’ by Nicole Krauss
- ‘Those As Are Brothers’ by Nancy Hale
- ‘The Man Who Saw The Flood’ by Richard Wright
- ‘Animal Behavior’ by Laurie Colwin
- ‘Envoy’ by Caleb Crain
- ‘You’re The Sweetest’ by LaShonda Katrice Barnett
- ‘Late Love’ by Joyce Carol Oates
- ‘Rules Of The Game’ by Amy Tan
- ‘A Cruelty’ by Kevin Barry
- ‘Donkey Gets Greedy, Donkey Gets Punched’ by Steve Almond
- ‘A Country Christmas’ by Louisa May Alcott
- ‘The Ascent’ by Ron Rash
- ‘The Dune’ by Stephen King
- ‘First Dark’ by Elizabeth Spencer
- ‘Control Negro’ by Jocelyn Nicole Johnson
- ‘A Visit To Grandmother’ by William Melvin Kelley
- ‘Rumm Road’ by Alice Elliott Dark
- ‘The Glass House’ by Chris Adrian
- ‘By The Waters Of Babylon’ by Stephen Vincent Benét
- ‘A Thing At Work’ by George Saunders
- ‘The Colonel’s Daughter’ by Robert Coover
- ‘My Jockey’ by Lucia Berlin
- ‘Bangkok’ by James Salter
- ‘The Music School’ by John Updike
- ‘It’s Like A Whisper’ by Megan Abbott
- ‘The Adventure Of The Musgrave Ritual’ by Arthur Conan Doyle
- ‘Oxford Girl’ by Megan Abbott
- ‘The Wind In The Rose-Bush’ by Mary E. Wilkins Freeman
- ‘Ten-Year Affair’ by Erin Somers
- ‘Footfalls’ by Wilbur Daniel Steele
- ‘Monster’ by Michael Czyzniejewski
- ‘An Actor Prepares’ by Donald Antrim
- ‘I, Buffalo’ by Vauhini Vara
- ‘The Blessed Man Of Boston, My Grandmother’s Thimble, And Fanning Island’ by John Updike
- ‘Queer’ by Sherwood Anderson
- ‘The Untold Lie’ by Sherwood Anderson
- ‘Drink’ by Sherwood Anderson
- ‘U.F.O. In Kushiro’ by Haruki Murakami
- ‘What Feels Like The World’ by Richard Bausch
- ‘The Triumph Of Night’ by Edith Wharton
- ‘The Orphaned Swimming Pool’ by John Updike
- ‘Julia’ by Ada Zhang
- ‘Comfort’ by Jamel Brinkley
- ‘Keats At Twenty-Four’ by Caleb Crain
- ‘Our Eyes Couldn’t Stop Opening’ by Megan Abbott
- ‘The Wrong Man’ by Nella Larsen
- ‘We’ by Mary Grimm
- ‘Freedom’ by Nella Larsen
- ‘Ruthy And Edie’ by Grace Paley
- ‘In A Different Light’ by Elizabeth Taylor
- ‘Departure’ by Sherwood Anderson
- ‘An Awakening’ by Sherwood Anderson
- ‘One Night In New Jersey’ by Chester Himes
- ‘Stuff’ by Joy Williams
- ‘The Mom Of Bold Action’ by George Saunders
- ‘The Man Who Loved Islands’ by D.H. Lawrence
- ‘Draft Day’ by Rattawut Lapcharoensap
- ‘Ocracoke Island’ by Alice Adams
- ‘A Story Without A Title’ by Anton Chekhov
- ‘Beach Town’ by Amy Hempel
- ‘The Help’ by Mary Robison
- ‘Korean Jesus’ by Pete Hsu
- ‘Wish You Were Here’ by Claire Vaye Watkins
- ‘A Sheltered Woman’ by Yiyun Li
- ‘Plumbing’ by John Updike
- ‘The Greatest Gift’ by Philip Van Doren Stern
- ‘So Late In The Day’ by Claire Keegan
- ‘The Prussian Officer’ by D.H. Lawrence
- ‘A Dark And Winding Road’ by Ottessa Moshfegh
- ‘Bad Behavior’ by Alexia Arthurs
- ‘What Feminism Is’ by Louise Nealon
- ‘Under The Boardwalk’ by Jayne Anne Phillips
- ‘The Kid Nobody Could Handle’ by Kurt Vonnegut Jr.
- ‘Xífù’ by K-Ming Chang
- ‘Miss Mary Pask’ by Edith Wharton
- ‘The Age Of Love’ by Mary South
- ‘Rebecca’ by Donald Barthelme
- ‘Learn A Trade’ by John Updike
- ‘Celia Is Back’ by Amy Hempel
- ‘You Are Not Alone’ by Vauhini Vara
- ‘Foster’ by Bryan Washington
- ‘Annunciation’ by Clare Sestanovich
- ‘Alvin The Typesetter’ by Lydia Davis
- ‘Bayonne’ by John Cheever
- ‘William Wei’ by Amie Barrodale
- ‘Thataway’ by Thomas McGuane
- ‘Tickets, Please!’ by D.H. Lawrence
- ‘The Rescue’ by John Updike
- ‘Chow!’ by Patricia Collinge
- ‘The Leap’ by Louise Erdrich
- ‘The Return’ by Elizabeth Bowen
- ‘The Alligators’ by John Updike
- ‘When Stars Collide’ by Ottessa Moshfegh
- ‘How I Became A Vet’ by Rivka Galchen
- ‘You Tell Me’ by Clare Sestanovich
- ‘Texas’ by David Gates
- ‘Unknown Unknowns’ by Vauhini Vara
- ‘Embroidery’ by Ray Bradbury
- ‘It’s Not You’ by Elizabeth McCracken
- ‘Three Popes Walk Into A Bar’ by Amy Hempel
- ‘My Mother’s Memoirs, My Father’s Lie, And Other True Stories’ by Russell Banks
- ‘Pool Night’ by Amy Hempel
- ‘Oliver’ by Kevin Maloney
- ‘Chance The Cat’ by David Means
- ‘The Island’ by Tove Jansson
- ‘Island’ by Gretel Ehrlich
- ‘The Wisdom Of Eve’ by Mary Orr
- ‘Life Without Children’ by Roddy Doyle
- ‘Referent’ by Ray Bradbury
- ‘The Body’s Defenses Against Itself’ by Nafissa Thompson-Spires
- ‘An Uncomfortable Bed’ by Guy de Maupassant
- ‘The Fog Horn’ by Ray Bradbury
- ‘Jeeves And The Hard-Boiled Egg’ by P.G. Wodehouse
- ‘The Wrong Shape’ by G.K. Chesterton
- ‘Today We Hit’ by Megan Abbott
- ‘The Ends’ by Peter Ho Davies
- ‘The Treasure In The Forest’ by H.G. Wells
- ‘Five Weddings’ by Kevin Maloney
- ‘The Breaking Up Of The Winships’ by James Thurber
- ‘What Stumped The Blue-Jays’ by Mark Twain
- ‘Taylor Swift’ by Hugh Behm-Steinberg
- ‘Thunderbirds: Who, Why, and How’ by Rebecca Scherm
- ‘University Days’ by James Thurber
- ‘An Enigmatic Nature’ by Anton Chekhov
- ‘The New Lodger’ by Amy Hempel
- ‘Detour’ by Évelyne Trouillot
As always, join the conversation in the comments section below, on SSMT Facebook or on Twitter @ShortStoryMT.
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