2021 Favorites
It was a good year, at least for the SSMT website.
We traveled the world with a new country’s short stories every week (with the occasional themed month). Sure, we continued reading a lot of staples from the canon – Chekhov and the like – but it was nice to get away from standard-issue American Lit for a while.
Of course that being said, as we look forward to the new year, the plan is to very much return to the United States. Every week in 2022, we’ll read stories from a different state. Throw in Washington, D.C., and Puerto Rico, and you’ve got 52 weeks’ worth American travels.
Before we hit the road, though, here is the annual list ranking the stories highlighted this year on the site, sorted in order of my own enjoyment.
Have a happy new year!
- ‘The Mad Lomasneys’ by Frank O’Connor
- ‘Bluebell Meadow’ by Benedict Kiely
- ‘The Turkey Season’ by Alice Munro
- ‘Another Christmas’ by William Trevor
- ‘Bravado’ by William Trevor
- ‘Meneseteung’ by Alice Munro
- ‘The Singers’ by Ivan Turgenev
- ‘A Family Supper’ by Kazuo Ishiguro
- ‘The Swimming Contest’ by Benjamin Tammuz
- ‘Jericho’s Brick Battlements’ by Margaret Laurence
- ‘Hair Jewellery’ by Margaret Atwood
- ‘The House With The Mezzanine’ by Anton Chekhov
- ‘The Country Doctor’ by Ivan Turgenev
- ‘The Husband’ by Anton Chekhov
- ‘Upturned’ by Frank O’Connor
- ‘The Trout’ by Sean O’Faolain
- ‘Waiting’ by Amos Oz
- ‘The Mother’ by Natalia Ginzburg
- ‘A Dedicated Man’ by Elizabeth Taylor
- ‘A Lodging For The Night’ by Robert Louis Stevenson
- ‘Blow-Up’ by Julio Cortázar
- ‘News For The Church’ by Frank O’Connor
- ‘The Story Of A Horse’ by Isaac Babel
- ‘End Of The Game’ by Julio Cortázar
- ‘Suspicion’ by Dorothy Sayers
- ‘Extra’ by Yiyun Li
- ‘Miss Harriet’ by Guy de Maupassant
- ‘A Success Story’ by Margaret Drabble
- ‘Bad Dreams’ by Tessa Hadley
- ‘Mrs. Charbury At Eltham’ by Max Porter
- ‘The Man Who Knew How’ by Dorothy Sayers
- ‘The Flight Of Geese’ by Leslie Norris
- ‘Cold And Sunny’ by Maeve Brennan
- ‘Mr. Salary’ by Sally Rooney
- ‘Butcher’s Perfume’ by Sarah Hall
- ‘Filling Up With Sugar’ by Yuten Sawanishi
- ‘Storm In A Teacup’ by Lu Xun
- ‘Guy de Maupassant’ by Isaac Babel
- ‘Naga’ by R.K. Narayan
- ‘A Perfect Day For Kangaroos’ by Haruki Murakami
- ‘The Rocking-Horse Winner’ by D.H. Lawrence
- ‘Lorry Raja’ by Madhuri Vijay
- ‘Gómez Palacio’ by Roberto Bolaño
- ‘The Black Monk’ by Anton Chekhov
- ‘The Secret Miracle’ by Jorge Luis Borges
- ‘The Love Object’ by Edna O’Brien
- ‘Dandelion’ by Lore Segal
- ‘The House Of The Famous Poet’ by Muriel Spark
- ‘Success’ by Adriana Balboa
- ‘A Day In The Country’ by Dan Jacobson
- ‘The Earthquake In Chile’ by Heinrich von Kleist
- ‘Happy Birthday’ by Clarice Lispector
- ‘The Mouth Of The Cave’ by Edna O’Brien
- ‘The Day We Got Our Own Back’ by Maeve Brennan
- ‘I’m Your Horse In The Night’ by Luisa Valenzuela
- ‘Boule de Suif’ by Guy de Maupassant
- ‘The Boots At The Holly-Tree Inn’ by Charles Dickens
- ‘Civil Peace’ by Chinua Achebe
- ‘The Open Window’ by Saki
- ‘Idyll’ by Guy de Maupassant
- ‘A Clean Marriage’ by Sayaka Murata
- ‘Alyosha The Pot’ by Leo Tolstoy
- ‘A Horse And Two Goats’ by R.K. Narayan
- ‘The Majesty Of The Law’ by Frank O’Connor
- ‘Lord Emsworth Acts For The Best’ by P.G. Wodehouse
- ‘The Sugawn Chair’ by Sean O’Faolain
- ‘Two Gentle People’ by Graham Greene
- ‘The Log’ by Guy de Maupassant
- ‘The Fashion Plate’ by Rhys Davies
- ‘Remnants Of Carnival’ by Clarice Lispector
- ‘An Abduction’ by Tessa Hadley
- ‘The Third Bank Of The River’ by João Guimarães Rosa
- ‘The Clearing’ by Luisa Mercedes Levinson
- ‘The Life Of The Imagination’ by Nadine Gordimer
- ‘Dolgushov’s Death’ by Isaac Babel
- ‘Salt’ by Isaac Babel
- ‘How Much Land Does A Man Need?’ by Leo Tolstoy
- ‘The Queen Of Spades’ by Alexander Pushkin
- ‘A Dashing Fellow’ by Vladimir Nabokov
- ‘The Lumber-Room’ by Saki
- ‘The Headstrong Historian’ by Chimamanda Ngozi Adichie
- ‘Her Table Spread’ by Elizabeth Bowen
- ‘Cloud Castle Lake’ by Vladimir Nabokov
- ‘Oysters’ by Anton Chekhov
- ‘The Tryst’ by Ivan Turgenev
- ‘A Russian Beauty’ by Vladimir Nabokov
- ‘Heirs’ by Amos Oz
- ‘A Passion In The Desert’ by Honoré de Balzac
- ‘Crossing The Alps’ by Margaret Drabble
- ‘Summer 1976’ by Chris Power
- ‘A Day In The Life Of A Smiling Woman’ by Margaret Drabble
- ‘The Gifts Of War’ by Margaret Drabble
- ‘Only Orange’ by Camille Bordas
- ‘Extraordinary Little Cough’ by Dylan Thomas
- ‘Roman Spring’ by Leslie Norris
- ‘Lima, Peru, July 28, 1979’ by Daniel Alarcón
- ‘Balthazar’s Marvelous Afternoon’ by Gabriel García Márquez
- ‘Unread Messages’ by Sally Rooney
- ‘Unholy Living And Half Dying’ by Sean O’Faolain
- ‘Birds In The Mouth’ by Samanta Schweblin
- ‘House Taken Over’ by Julio Cortázar
- ‘A Singular Occurrence’ by Machado de Assis
- ‘Khor And Kalinich’ by Ivan Turgenev
- ‘After The Battle’ by Isaac Babel
- ‘Color And Light’ by Sally Rooney
- ‘The Wine Breath’ by John McGahern
- ‘Letter To A Young Lady In Paris’ by Julio Cortázar
- ‘Lappin And Lapinova’ by Virginia Woolf
- ‘Doctors’ by Anneliese Mackintosh
- ‘If It Keeps On Raining’ by Jon McGregor
- ‘How Old Timofei Died With A Song’ by Rainer Maria Rilke
- ‘Mortmain’ by Graham Greene
- ‘The Spring Hat’ by H.E. Bates
- ‘The Continuation Of The Story Of A Horse’ by Isaac Babel
- ‘Ivan And Ivan’ by Isaac Babel
- ‘Polinka’ by Anton Chekhov
- ‘Afonka Bida’ by Isaac Babel
- ‘The Smallest Woman In The World’ by Clarice Lispector
- ‘Katania’ by Lara Vapnyar
- ‘Prince Hamlet Of Shchrigrovo’ by Ivan Turgenev
- ‘Two Landowners’ by Ivan Turgenev
- ‘The Lighthouse’ by Agnes Owens
- ‘Pornography’ by Ian McEwan
- ‘Even Pretty Eyes Commit Crimes’ by M.J. Hyland
- ‘You Are My Dear Friend’ by Madhuri Vijay
- ‘Rape Fantasies’ by Margaret Atwood
- ‘The Leaf-Sweeper’ by Muriel Spark
- ‘Midnight Mass’ by Machado de Assis
- ‘Judas’ by Frank O’Connor
- ‘De Mortuis’ by John Collier
- ‘The Fountain Plays’ by Dorothy Sayers
- ‘An Arrow O’er The House’ by Dorothy Sayers
- ‘Then Later, His Ghost’ by Sarah Hall
- ‘When The Door Closed, It Was Dark’ by Alison Moore
- ‘Confessing’ by Guy de Maupassant
- ‘A Voyage To Cythera’ by Margaret Drabble
- ‘The Apparition Of Mrs. Veal’ by Daniel Defoe
- ‘Le Miroir’ by Robert Aickman
- ‘Dilemma’ by Dorothy Sayers
- ‘August Heat’ by W.F. Harvey
- ‘The Demon Lover’ by Elizabeth Bowen
- ‘Medicine’ by Lu Xun
- ‘Omakase’ by Weike Wang
- ‘Mateo Falcone’ by Prosper Mérimée
- ‘The Challenge’ by Mario Vargas Llosa
- ‘Absit’ by Angélica Gorodischer
- ‘Up The Bare Stairs’ by Sean O’Faolain
- ‘The Obedient Ones’ by Clarice Lispector
- ‘The Lottery Ticket’ by Ventura García Calderón
- ‘The Confession’ by Leïla Slimani
- ‘A Family Like Any Other’ by Carlos Fuentes
- ‘The Kangaroo Communiqué’ by Haruki Murakami
- ‘The Lazy River’ by Zadie Smith
- ‘I Arrive First’ by Emma Jane Unsworth
- ‘Saint Julian The Hospitaller’ by Gustave Flaubert
- ‘Tony Takitani’ by Haruki Murakami
- ‘The Pet’ by Nadine Gordimer
- ‘The Tiger Of The Plains’ by Domingo Faustino Sarmiento
- ‘The Golden Pony’ by Glyn Jones
- ‘Modern Girls’ by Teju Cole
- ‘The Bound Man’ by Ilse Aichinger
- ‘His Excellency’ by Indro Montanelli
- ‘Crabs’ by Haruki Murakami
- ‘The Rise And Fall Of Sharpie Cakes’ by Haruki Murakami
- ‘She Said He Said’ by Hanif Kureishi
- ‘The Pier Falls’ by Mark Haddon
- ‘Les Liaisons Dangereuses’ by Margaret Drabble
- ‘G-String’ by Nicola Barker
- ‘The Baby In Pink Tarlatan’ by Joaõ do Rio
- ‘The Path To The Cemetery’ by Thomas Mann
- ‘Louise’ by Somerset Maugham
- ‘Let Me Count The Times’ by Martin Amis
- ‘Wolf-Alice’ by Angela Carter
- ‘Nadine At Forty’ by Hilary Mantel
- ‘Night Calls’ by Lisa Fugard
- ‘The Married Couple’ by Franz Kafka
- ‘Everything In This Country Must’ by Colum McCann
- ‘A Dead Cert’ by Sean O’Faolain
- ‘The Poteen Maker’ by Michael McLaverty
- ‘Who’s-Dead McCarthy’ by Kevin Barry
- ‘The Curfew’ by Roddy Doyle
- ‘Everything’ by Ingeborg Bachmann
- ‘The Sacrificial Egg’ by Chinua Achebe
- ‘Madame de Luzy’ by Anatole France
- ‘A Small Sacrifice For An Enormous Happiness’ by Jai
Chakrabarti
- ‘A Wedding-Dress’ by Morley Callaghan
- ‘Aftermath’ by Mary Yukari Waters
- ‘American Dreams’ by Peter Carey
- ‘Weekend’ by Shirley Hazzard
- ‘The Homecoming’ by Rabindraneth Tagore
- ‘The Destiny Of A Professor’s Wife’ by Daniil Kharms
- ‘On The Golden Porch’ by Tatyana Tolstaya
- ‘A Drama’ by Anton Chekhov
- ‘Little Whale, Varnisher Of Reality’ by Vasily Aksenov
- ‘Rapture’ by Anton Chekhov
- ‘Meat’ by Virgilio Piñera
- ‘The Chicken’ by Clarice Lispector
- ‘Decoration Day’ by Sarah Orne Jewett
- ‘Penelope’ by Dalton Trevisan
- ‘The Night Face Up’ by Julio Cortázar
- ‘The State Of Nature’ by Camille Bordas
- ‘In The Shadow Of War’ by Ben Okri
- ‘The Adopted Son’ by Guy de Maupassant
- ‘Tell Them Not To Kill Me!’ by Juan Rulfo
- ‘The Switchman’ by Juan José Arreola
- ‘Kew Gardens’ by Virginia Woolf
- ‘Love Far From Home’ by Italo Calvino
- ‘Jewellery’ by Alberto Moravia
- ‘The Mystery Of Hunter’s Lodge’ by Agatha Christie
- ‘A Haunted House’ by Virginia Woolf
- ‘Phantoms’ by Ivan Turgenev
- ‘The Hawk’ by Liam O’Flaherty
- ‘Work, Death, And Sickness’ by Leo Tolstoy
- ‘As You Would Have Told It To Me (Sort Of) If We Had Known Each Other Before You Died’ by Jonas Hassen Khemiri
- ‘The Shinagawa Monkey’ by Haruki Murakami
- ‘The Yellow Paint’ by Robert Louis Stevenson
- ‘The Dinner’ by Clarice Lispector
- ‘Spirit Of Christmas’ by Jeanette Winterson
- ‘The Crystal Egg’ by H.G. Wells
- ‘The Lamp’ by Agatha Christie
- ‘Offside Constantly’ by Camille Bordas
- ‘Helix’ by Banana Yoshimoto
- ‘One Arm’ by Yasunari Kawabata
- ‘Legend For A Painting’ by Julia O’Faolain
- ‘On The Empty Shore’ by Seosamh Mac Grianna
- ‘Our Sleeping Lungs Opened To The Cold’ by Elizabeth Tan
- ‘You Are Happy?’ by Akhil Sharma
- ‘Click-Clack The Rattlebag’ by Neil Gaiman
- ‘XII’ by Nathalie Sarraute
- ‘Fly Already’ by Etgar Keret
- ‘Why I Became A Nightingale’ by Wolfgang Hildesheimer
- ‘The Hotel’ by Anne Enright
- ‘Aspic’ by Tatyana Tolstaya
- ‘My Life Is A Joke’ by Sheila Heti
- ‘The Hammam’ by Hervé Guibert
- ‘The Gentle Libertine’ by Colette
- ‘He Who Listens May Hear – To His Regret: Confidence Of A Confidence’ by Juana Manuela Gorriti
- ‘The Stump-Grubber’ by Torgny Lindgren
- ‘The Little Green Monster’ by Haruki Murakami
- ‘A Leading Role’ by Tove Jansson
- ‘My Financial Career’ by Stephen Leacock
- ‘The Legend Of ‘El Cadejo’’ by Miguel Angel Asturias
- ‘(She Owns) Every Thing’ by Anne Enright
- ‘The Braider’ by Ricardo Güiraldes
- ‘The Dark Lantern’ by Jules Renard
- ‘How To Travel With A Salmon’ by Umberto Eco
As always, join the conversation in the comments section below, on SSMT Facebook or on Twitter @ShortStoryMT.
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I love short stories so your blog is wonderful to read daily!
thank you – im so glad! any requests or recommendations?