August 2014 favorites

august2014

August 2014

The August stories ordered solely on my personal tastes.

  1. ‘Bright And Morning Star’ by Richard Wright
  2. ‘Symbols And Signs’ by Vladimir Nabokov
  3. ‘The Chrysanthemums’ by John Steinbeck
  4. ‘Free Fruit For Young Widows’ by Nathan Englander
  5. ‘The School’ by Donald Barthelme
  6. ‘The Night The Bed Fell’ by James Thurber
  7. ‘My First Goose’ by Isaac Babel
  8. ‘The Wood Duck’ by James Thurber
  9. ‘The Secret Life Of Walter Mitty’ by James Thurber
  10. ‘The Fireman’s Wife’ by Richard Bausch
  11. ‘The Killers’ by Ernest Hemingway
  12. ‘In The Penal Colony’ by Franz Kafka
  13. ‘He’ by Katherine Anne Porter
  14. ‘The Rich Brother’ by Tobias Wolff
  15. ‘Lovers Of The Lake’ by Sean O’Faolain
  16. ‘First Love’ by Vladimir Nabokov
  17. ‘The Mysterious Kor’ by Elizabeth Bowen
  18. ‘Thirst’ by Ivo Andric
  19. ‘In Another Country’ by Ernest Hemingway
  20. ‘The Iron City’ by Lovell Thompson
  21. ‘Dusky Ruth’ by A.E. Coppard
  22. ‘The Odour Of Chrysanthemums’ by D.H. Lawrence
  23. ‘The Door’ by E.B. White
  24. ‘The Camberwell Beauty’ by V.S. Pritchett
  25. ‘The Fly’ by Katherine Mansfield
  26. ‘Christ In Concrete’ by Pietro di Donato
  27. ‘American Express’ by James Salter
  28. ‘The Piano’ by Anibal Monteiro Machado
  29. ‘The Greatest Man In The World’ by James Thurber
  30. ‘Men’ by Kay Boyle
  31. ‘A Couple Of Hamburgers’ by James Thurber

‘The Iron City’ by Lovell Thompson

Thompson, Lovell

The Iron City by Lovell Thompson, 1937

The magic trick:

Showing how obsession particularly obsession rooted in the imagination can destroy a man

Grimes and Shank begin the story’s journey in the respective roles of host and parasite. Gradually these roles change as Grimes’ interest in a photo belonging to Shank grows into obsession. By story’s end, Grimes has lost himself in obsession and the reader no longer recognizes the character. It’s a remarkable transformation to author through a novel, let alone with the brevity of a short story. And that’s quite a trick on Thompson’s part.

The selection:

Shank felt the need to play upon Grimes’s admiration for Mary and thus to assure  himself of Gideon’s protection. Every time that Grimes was permitted to see the picture of Mary, and this was really often though never without preliminary resistance, Shank accompanied the revelation of the beautiful face with a new tale of the woman’s extraordinary humbleness. These revelations, coming with the sight of the picture as they did, filled Grimes with envy and passion.