June 2014 favorites

june2014

June 2014

The June stories ordered solely on my personal tastes.

  1. ‘Venus, Cupid, Folly And Time’ by Peter Taylor
  2. ‘Blackberry Winter’ by Robert Penn Warren
  3. ‘Babylon Revisited’ by F. Scott Fitzgerald
  4. ‘Upon The Sweeping Flood’ by Joyce Carol Oates
  5. ‘Good Country People’ by Flannery O’Connor
  6. ‘My Old Man’ by Ernest Hemingway
  7. ‘I’m A Fool’ by Sherwood Anderson
  8. ‘Sonny’s Blues’ by James Baldwin
  9. ‘Only The Dead Know Brooklyn’ by Thomas Wolfe
  10. ‘Double Birthday’ by Willa Cather
  11. ‘The View From The Balcony’ by Wallace Stegner
  12. ‘The Magic Barrel’ by Bernard Malamud
  13. ‘No Place For You, My Love’ by Eudora Welty
  14. ‘The Schreuderspitze’ by Mark Helprin
  15. ‘The Hartleys’ by John Cheever
  16. ‘O City Of Broken Dreams’ by John Cheever
  17. ‘A Day In The Open’ by Jane Bowles
  18. ‘The Lottery’ by Shirley Jackson
  19. ‘In The Zoo’ by Jean Stafford
  20. ‘The Lost Phoebe’ by Theodore Dreiser
  21. ‘Welcome To The Monkey House’ by Kurt Vonnegut Jr.
  22. ‘How Beautiful With Shoes’ by Wilbur Daniel Steele
  23. ‘The Little Wife’ by William March
  24. ‘A Distant Episode’ by Paul Bowles
  25. ‘The Faithful Wife’ by Morley Callaghan
  26. ‘The Golden Honeymoon’ by Ring Lardner
  27. ‘Resurrection Of A Life’ by William Saroyan
  28. ‘The State Of Grace’ by Harold Brodkey
  29. ‘A Telephone Call’ by Dorothy Parker
  30. ‘The Survivors’ by Elsie Singmaster

‘The Lost Phoebe’ by Theodore Dreiser

Dreiser, Theodore

The Lost Phoebe by Theodore Dreiser, 1916

The magic trick:

Emphasizing Old Henry’s appreciation for Phoebe’s presence while she was alive

The story’s plot teeters close to being overly contrived and saccharine. It’s Dreiser’s level of detail and care in telling the story that elevates what could be a simple Reader’s Digest tear-jerker into something quite elegant. My favorite detail is his emphasis of Old Henry’s love for his wife not just after her death but while she is still alive.

This isn’t a don’t-know-what-you-got-til-it’s-gone situation. Old Henry clearly knows what he has before it’s gone, which only makes it all the more heartbreaking when she dies and his fears of being alone are proven correct. It’s only a few paragraphs but the section that outlines their relationship speaks volumes and ensures that the reader cares about the story that follows. And that’s quite the trick on Dreiser’s part.

The selection:

Old Henry, who knew his wife would never leave him in any circumstances, used to speculate at times as to what he would do if she were to die. That was the one leaving he really feared. As he climbed on the chair at night to wind the old, long-pendulumed, double-weighted clock, or went finally to the front and the back door to see that they were safely shut in, it was a comfort to know that Phoebe was there, properly ensconced on her side of the bed, and that if he stirred restlessly in the night, she would be there to ask what he wanted.