Ceil by Harold Brodkey, 1983 Continue reading
Tag: Harold Brodkey
April 2022 favorites
April 2022
The April stories ordered solely on my personal tastes.
- ‘Roses, Rhododendron’ by Alice Adams
- ‘Warm River’ by Erskine Caldwell
- ‘What Have You Done?’ by Ben Marcus
- ‘A Story In Almost Classical Mode’ by Harold Brodkey
- ‘Back Then’ by Mary Grimm
- ‘Waugh’ by Bryan Washington
- ‘Car Crash While Hitchhiking’ by Denis Johnson
- ‘Thrift Store Coats’ by Brooks Rexroat
- ‘The Bride Comes To Yellow Sky’ by Stephen Crane
- ‘Maggie Of The Green Bottles’ by Toni Cade Bambara
- ‘The Landlord’ by Wells Tower
- ‘Heathen’ by Mike Wilson
- ‘Donna’ by Michaella Thornton
- ‘The Princess And The Puma’ by O. Henry
- ‘The Day The Dam Broke’ by James Thurber
- ‘The Texas Principessa’ by William Goyen
As always, join the conversation in the comments section below, on SSMT Facebook or on Twitter @ShortStoryMT.
Subscribe to the Short Story Magic Tricks Monthly Newsletter to get the latest short story news, contests and fun.
‘A Story In An Almost Classical Mode’ by Harold Brodkey
A Story In An Almost Classical Mode by Harold Brodkey, 1973 Continue reading
June 2014 favorites
June 2014
The June stories ordered solely on my personal tastes.
- ‘Venus, Cupid, Folly And Time’ by Peter Taylor
- ‘Blackberry Winter’ by Robert Penn Warren
- ‘Babylon Revisited’ by F. Scott Fitzgerald
- ‘Upon The Sweeping Flood’ by Joyce Carol Oates
- ‘Good Country People’ by Flannery O’Connor
- ‘My Old Man’ by Ernest Hemingway
- ‘I’m A Fool’ by Sherwood Anderson
- ‘Sonny’s Blues’ by James Baldwin
- ‘Only The Dead Know Brooklyn’ by Thomas Wolfe
- ‘Double Birthday’ by Willa Cather
- ‘The View From The Balcony’ by Wallace Stegner
- ‘The Magic Barrel’ by Bernard Malamud
- ‘No Place For You, My Love’ by Eudora Welty
- ‘The Schreuderspitze’ by Mark Helprin
- ‘The Hartleys’ by John Cheever
- ‘O City Of Broken Dreams’ by John Cheever
- ‘A Day In The Open’ by Jane Bowles
- ‘The Lottery’ by Shirley Jackson
- ‘In The Zoo’ by Jean Stafford
- ‘The Lost Phoebe’ by Theodore Dreiser
- ‘Welcome To The Monkey House’ by Kurt Vonnegut Jr.
- ‘How Beautiful With Shoes’ by Wilbur Daniel Steele
- ‘The Little Wife’ by William March
- ‘A Distant Episode’ by Paul Bowles
- ‘The Faithful Wife’ by Morley Callaghan
- ‘The Golden Honeymoon’ by Ring Lardner
- ‘Resurrection Of A Life’ by William Saroyan
- ‘The State Of Grace’ by Harold Brodkey
- ‘A Telephone Call’ by Dorothy Parker
- ‘The Survivors’ by Elsie Singmaster
‘The State Of Grace’ by Harold Brodkey
The State Of Grace by Harold Brodkey, 1954
The magic trick:
Painful description of the shame and sadness caused when a child begins to realize his or her family’s poverty in relation to the neighbors
There is much that is painful about this story; most notably, the experience of reading it. Sorry, I just find this story intolerably annoying. Brodkey is so precious and so self-absorbed, there’s hardly any room for the reader. His narrator pores over every inch of his childhood with a suffocating pomposity, and because the writing is so strong and the attention to detail so exact, it’s very difficult not to read this work as anything other than autobiographical personal essay. As a result, I’m left disliking not the narrator but Brodkey himself – fair or not.
But my apologies for the negativity; I do have a magic trick to discuss. I like the way he so completely describes the feeling of anger, jealousy, and sadness a boy feels when he realizes that his family has less money and fewer opportunities than those around him. It’s another melodramatic, self-absorbed Brodkey moment, but there’s no denying it’s genuinely well-expressed in this story. And that’s quite a trick on Brodkey’s part.
The selection:
Then came an alley of black macadam and another vista, which I found shameful but drearily comfortable, of garages and ashpits and telephone poles and the backs of apartment houses – including ours – on one side, the backs of houses on the other. I knew many people in the apartments but none in the houses, and this was the ultimate proof, of course, to me of how miserably degraded I was and how far sunken beneath the surface of the sea.